List of Works (Chronological)

2000–2009 | 1990–1999 | 1980–1989

2010–

Un cercle hors de l’arbre (2014 / 10:15) fixed sounds
Commissioned by BIMESP (Bienal Internacional de Música Eletroacústica de São Paulo) for the 20th anniversary of the festival. Produced at PANorama Studios in São Paulo (Brazil) with the support of the Canada Council for the Arts.

Golem (2013 / 10:35) MalletKat
Commissioned by Rick Sacks (Toronto) with the support of the Canada Council for the Arts. Produced in Miso Music’s Centre for Musical Creation in Rebelva (Portugal) as well as at the EMS studios in Stockholm (Sweden).

Boîte à musique (2012 / 2:10) fixed sounds
Composed to celebrate the 80th birthday of composer François Bayle. Produced at the ZKM — Zentrum für Kunst und Medientechnologie in Karlsruhe (Germany).

Des temps oubliés (2012 / 12:00) fixed sounds
Commissioned by GRM — Groupe de recherches musicales in Paris (France), with the support of the Conseil des arts et lettres du Québec (CALQ). Produced at the GRM.

Nachtlicht (2012 / 12:20) videomusic, collaboration with Uli Aumüller
Commissioned by Musiques & Recherches (Belgium) with the support of the Canada Council for the Arts . Produced at Studios Métamorphoses d’Orphée in Ohain (Belgium).

Bol-Hydre (2011 / 10:00)
Commissioned by Productions Totem contemporain (Jean-François Laporte) with the support of the Canada Council for the Arts. Second Prize in 2012 by the Phonos Foundation (Spain) and Musiques & Recherches (Belgium) in the 5th Destellos International Competition of Electroacoustic Composition and Visual Music (Argentina).

Diaprures (2011 / 7:00) fixed sounds
Composed to commemorate the 65th birthday of Belgian composer Annette Vande Gorne.

Sybille (2010 / 15:00) fixed sounds

Effraction de l’oubli [Bursting into Oblivion] (2010 / 40:00) incidental music for a choreography by Camille Mutel
Commissioned by the state (France) and by Compagnie Li Luo for a “Butoh” dance piece by the French choreographer and dancer Camille Mutel. Produced at the ZKM — Zentrum für Kunst und Medientechnologie in Karlsruhe (Germany), Centre de création TROIS C-L (Luxembourg) and L’Actée Théâtre (France).

2000–2009

Les lointains noirs et rouges (2009 / 10:42) fixed sounds
Commissioned by Folkmar Hein. Produced in the studios of Berlin’s Technical University. Finalist in 2009 in the 36th Concours international de musique Électroacoustique de Bourges (France). Mention in 2011 in the Destellos Competition (Buenos Aires).

Castalie (2008 / 10:34) fixed sounds (32-channel version and stereo version)
Commissioned by the DAAD. Produced in the studios of Berlin’s Technical University. First Prize (audio) in 2009 at the 6th Black & White Audiovisual Festival in Porto (Portugal). Mention in 2009 in the 36th Concours international de musique Électroacoustique de Bourges (France).

Escapade (2008 / 4:34) fixed sounds
Produced in the studios of Berlin’s Technical University. Finalist in 2008 in the 6th Concurso Internacional de Miniaturas Electroacústicas, Huelva (Spain).

Mogidell (2008 / 8:41) fixed sounds
Commissioned by Oscar Wiggli. Produced in the studios of Berlin’s Technical University.

Le miroir triste (2007 / 13:42) fixed sounds (5.1)
Realized at the ZKM — Zentrum für Kunst und Medientechnologie in Karlsruhe (Germany) with the support of the Conseil des arts et des lettres du Québec (CALQ) and the Canada Council for the Arts.

Entre les deux rives du printemps (2006 / 18:08) fixed sounds (5.1)
Produced at ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany). Finalist in 2008 in the 35th Concours international de musique Électroacoustique de Bourges (France). Finalist (miniature version) in 2007 in the 5th Concurso Internacional de Miniaturas Electroacústicas, Huelva (Spain).

Ombres, espaces, silences… (2005 / 23:00) fixed sounds (5.1)
Commissioned by the ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany). Produced at the ZKM. Mention d’Honneur in the 2005 Prix Ars Electronica, Linz (Autriche). Finalist in 2005 in the 32nd Concours international de musique Électroacoustique de Bourges (France).

Le contrat (2003 / 66:27) fixed sounds
Commissioned by Jean-François Denis. Collaboration with René Lussier. Finalist in the 2003 Prix Opus, Conseil Québécois de la musique, Disc of the Year, electroacoustic category.

La Perle et l’Oubli (2002 / 21:17) ondes Martenot and fixed sounds

Éclats de Perle (2002 / 12:40) fixed sounds
Honorable Mention in 2002 in the 2nd Concours de composition acousmatique « Métamorphoses », Brussels (Belgium).

Soledad (2000 / 12:05) for acoustic guitar and fixed sounds
Collaboration with guitarist Arturo Parra. Public Prize in 2001 in the 4th CIMESP — Concurso Internacional de Música Eletroacústica de São Paulo (Brazil). Finalist in 2001 in the concours Musica Nova, Prague (Czech Republic).

1990–1999

Derrière la porte la plus éloignée… (1998 / 12:01) fixed sounds
Commissioned by Arturo Parra. Honorable Mention in 1999 in the 26th Concours international de musique Électroacoustique de Bourges (France).

Point de passage (1997 / 11:46) fixed sounds
Commissioned by ACREQ. Public Prize in 1999 in the 3rd CIMESP — Concurso Internacional de Música Eletroacústica de São Paulo (Brazil). Finalist in 1998 in the 25th Concours international de musique Électroacoustique de Bourges (France).

Nuit cendre (1996 / 12:19) fixed sounds
Commissioned by Code d’accès. First Prize in the 1997 Stockholm Electronics Arts Award, (Sweden). First Prize and Public Prize in 1997 in the 2nd CIMESP — Concurso Internacional de Música Eletroacústica de São Paulo (Brazil).

Projet Proust (1995 / 13:17) fixed sounds
Commissioned by Société Radio-Canada. Mention in 2000 in the 1st Concours de composition acousmatique « Métamorphoses », Brussels (Belgium).

Le Vertige Inconnu (1994 / 8:23) fixed sounds
Commissioned by GMEB — Groupe de Musique Expérimentale de Bourges. Produced in the composer’s studio and at GMEB. Second Prize in 1995 in the Prix Ars Electronica, Linz (Autriche). First Prize in 1994 in the Stockholm Electronics Arts Award, (Sweden).

La Ville Machine (1992 / 14:45) fixed sounds
Commissioned by ACREQ. Finalist for the 1995 Chalmers Prize, electroacoustic composition, Ontario Arts Council. First Prize in 1993, SOCAN Awards for composers over 30.

Nous sommes heureux de… (1992 / 0:57) fixed sounds
Finalist in 1991 in ACREQ’s 2nd international Electroclips competition.

Là où vont les nuages… (1991 / 11:20) ondes Martenot, real-time processing and fixed sounds
Finalist in 1996 in the 23rd Concours international de musique Électroacoustique de Bourges (France).

Associations Libres (1990 / 3:00) electric guitar and fixed sounds
Commissioned by René Lussier. Second Prize in 2002 “The D & AD Silver Award for the most outstanding sound design,” British Design & Art Direction.

1980–1989

Voix Blanche (1989 / 13:02) ondes Martenot and fixed sounds
Commissioned by Suzanne Binet-Audet. Second Prize in 1989 in the 11th Concorso Internazionale “Luigi Russolo” di musica elettroacustica, Varese (Italie). Second Prize in 1989 in the 17th Concours international de musique Électroacoustique de Bourges (France).

Rivage (1986 / 8:44) fixed sounds
Produced in the studios of McGill University. Second Prize in 1988 in the 10iéme Concorso Internazionale “Luigi Russolo” di musica elettroacustica, Varese (Italie). Mention in 1988 in the 16th Concours international de musique Électroacoustique de Bourges (France). Second Prize in the 1987 International NEWCOMP Computer Music Competition, Cambridge MA (USA).

Traces (1985 / 6:31) fixed sounds
Produced in the studios of Université de Montréal. Second Prize in the 1985 International Tape Music Competition, Brock University, St. Catharines ON (Canada). Honorable Mention in 1987 in the 9th Concorso Internazionale “Luigi Russolo” di musica elettroacustica, Varese (Italie).

Fragments (1984) for oboe, horn, viola, contrabass and percussion

Lacis (1982) for string quartet

Trêve (1981) for twelve instruments