texts

published and unpublished texts

chippewa, jef. The Extended Piano: A guidebook for composers and performers for extended techniques and piano preparations. 2009– (in progress).
[Includes extensive photo documentation and many audio examples]

_____. fluxus events / environments for banff national park, spring edition (for wildlife, forest and grand piano). Artist book in a limited first edition of 5 copies, 2009.
[Includes event scores, performance photos, rock / rock fragments, deer droppings, bear bell, maps and more]

_____. “The Withering Death of Art: PAIK-Nacht, 29 January 2007, Berlin.” Unpublished. Event review, 2007.

_____. “Being About Music: Tracing the American Post-War Musical Consciousness.” Unpublished. Book review (B. Boretz and J.K. Randall, Being About Music), 2005, rev. 2007.

_____. “Reflection upon Issues of Identity in New Music Composition, via plastik.” Conference proceedings of the Generative Art Conference-Festival. Milano, 2004. http://www.generativeart.com/on/cic/papersGA2004/11.htm

_____. “Wreck’s Progress, Vol. 1.” Musicworks 74 (Summer 1999) .CD review.

_____. “Commentary — Los Angeles: Prise II.” Musicworks 73 (Winter 1999). Concert review and reflection on cultural appropriation (Nouvel Ensemble Modern).

Sauer, Theresa (ed.). Notations 21. New York: Mark Batty Publisher, 2009.
[Examples from my copyist work in recent years appear in a follow-up to Cage’s Notations: excerpts of …without… (chippewa), éphémère (spahlinger), Trois Canons (Pauset)]